Saint Jerome in Meditation. Thomas Jefferson Foundation, Inc.Saint Jerome in Meditation. Thomas Jefferson Foundation, Inc.Artist/Maker: Unknown copyist after Hendrick Goltzius (1558-1617)

Materials: oil on canvas

Dimensions: 62.2 × 49.5 (24 1/2 × 19 1/2 in.)

Location: Entrance Hall

Provenance: Thomas Jefferson; by purchase to an unidentified buyer at the Harding Gallery sale in 1833; by gift or purchase to Eleanor Metcalf; by gift to Thomas Jefferson Foundation in 1952

Accession Number: 1952-61

Historical Notes: Saint Jerome was the best known Christian scholar of the fourth century. He translated the Bible into Latin, then the lingua franca of the literate. At Monticello Jefferson placed Saint Jerome in Meditation in the Entrance Hall. In his Catalogue of Paintings, Jefferson described this piece as "a bust of St. Jerom in meditation, his head reclined on his right hand, and a book in his left. of full size, on Canvas. Copied from Goltzius."[1]

Goltzius, a Dutch artist of German ancestry, is chiefly known as an outstanding engraver, who, in addition to his own work, successfully imitated the styles of Dürer and Lucas van Leyden and other Old Masters. He traveled to Rome in 1590, thus coming into contact with the work of Michelangelo and Raphael. Goltzius turned to painting after his return from Rome. Although some of his work was in Parisian collections in the late eighteenth century, it is not known with certainty if Jefferson's painting was copied from a painting or engraving. The painting bears some resemblance to an engraving of St. Jerome (1596) by Goltzius based on a drawing by Jacopo Palma il Giovane.[2]

- Text from Stein, Worlds, 143

Further Sources


  1. ^ Jefferson's Catalogue of Paintings, The Thomas Jefferson Papers, Accession #2958-b, Special Collections, University of Virginia Library. For a transcription of Jefferson's catalogue, see Seymour Howard, "Thomas Jefferson's Art Gallery for Monticello," The Art Bulletin 59, no. 4 (1977): 583-600.
  2. ^ Walter L. Strauss, ed., Hendrik Goltzius 1558-1671: The Complete Engravings and Woodcuts (New York: Abaris Books, 1977), 616.